Revenge 2020/21/?

A Performance project concerning itself with the concepts of Revenge and Forgiveness.

 ** Update Feb 2021- Due to developments around COVID-19, this project was cancelled until further notice.

Sam so what’s this town like?

Chris this town? self-obsessed, unfriendly, bitter, unforgiving

Sam forgiveness is overrated 

Chris I don’t think so. I think forgiveness is useful.  It means you allow people the right to change, to become different or better….

Sam Sure, if you say so...

Chris I did it when you came in - you didn’t look at me, you didn’t smile, you didn’t leave a tip...

A First Cut Pro­duc­tions co­pro­duc­tion with Fab­rik­the­ater Zurich, Le Grütli Geneva and Kaserne Basel. 
Supported by; Stadt Zürich Kultur, Kanton Zürich Fachstelle Kultur, Pro Helvetia Schweizer Kulturstiftung

Concept, Direction:  Phil Hayes
Creation and Performance:  Phil Hayes, Nada Gambier, Maria Jerez and Christophe Jaquet

for further Info please contact Lise Leclerc at Tutu Production

Still Life with Game Birds, Cornelis Mahu 1642. Collection of the Birmingham Museum of Art, Alabama; Gift of Mr. and Mrs. William R. Ireland.

  • Concept, Direction:  Phil Hayes
  • Performance:  Phil Hayes, Nada Gambier, Maria Jerez and Christophe Jaquet
  • Stage:  Sina Knecht
  • Lighting:  Patrik Rimann
  • Sound:  Susanne Affolter
  • Production:  Lukas Piccolin
  • Diffusion:  Lise Leclerc - Tutu Production
  • Still Life with Game Birds, Cornelis Mahu 1642. Collection of the Birmingham Museum of Art, Alabama; Gift of Mr. and Mrs. William R. Ireland.